Autumn light did ever love me best – a seeming sepia-tone effect, applied to every morning mist, cast in shades of retrospect.
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Autumn light did ever love me best – a seeming sepia-tone effect, applied to every morning mist, cast in shades of retrospect.
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It is an utter deluge, and I am standing on the end of a pier in a tempestuous sea, bathed in strings of multicoloured light that catch raindrops in slow-motion and transform them into white-noise static.
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